

POTD 02/10/20
2004, the Isotope in the Sunset Heights neighborhood of San Francisco. I think this was taken early on in the evening of the Isotope...


AUTODRIVE - process
As we all know, writing for comics isn't like writing for prose. Comics are locked to the unit of the page (yes, digital comics aren't,...


FULL BLEED: CONTROVERSIAL SUBJECTS AND DEPICTIONS
Yeah, I know. Cloth doesn't work like that. Well, in all my copious free time, I'm reading comics again. Of course, being me, I'm not...


FULL BLEED: STAND UNTIL ACHING
Big week last week. Travelled up to the Rose City Comic show, actually worked it this year. Usually I'm up to just get myself out of the...


FULL BLEED: LIVING LIKE SKELETONS
This was originally published on my blog (RIP) and got reposted in THE HOWLING PIT. Reposting today in answer to writer Ernest Hogan's...

Numbers
So I'm looking at some numbers behind comics. Look along with me. A typical issue of comics has 22 pages of story, but is printed onto a...


Intrapanel 180504
Three from CAPTAIN VICTORY #1. CAPTAIN VICTORY #1 1981, Pacific Comics Jack Kirby writing and art, Mike Royer inks, Steve Oliff colors


Intrapanel 180420
WEIRD WAR TALES #43 1975, DC Comics Jack Oleck writing, Vince Geronimo art MARVEL SUPER ACTION #37 1981, Marvel Comics Roy Thomas writer,...


Intrapanel: 180412
For those of you who don't know, Intrapanel was a project I started up about five years ago and ran really hot on. Not a surprise since...


FULL BLEED: THE FUTURE WAS THEN - 2
More from Los Angeles and environs. Abandoned Nike missile base, end of Mulholland Dr. Harvey Kurtzman layout, Jack Davis finishes, from...